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Culture+Conflict
Culture+Conflict is a not-for-profit agency focusing on art produced in, or in response to, conflict and post-conflict situations across the world.
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What Refugee Camps Can Teach Us About Museums
‘Lande’, at Oxford’s Pitt Rivers, begets core questions about art and its display. By Nicholas Mirzoeff Western museums are currently…
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The Art of War in “Theater of Operations”
Can an exhibition about the Gulf wars provide new ways of seeing such dismal subject matter? By Peter Schjeldahl I have rarely…
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Syrian | Yemen: Making Art Today
Symposium at the British Museum, London Sunday 7 July 2019 10.30am–4.30pm Tickets £15 | £10 BM Members & concs Since…
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New British Council report on art and peace
The art of peace: the value of culture in post-conflict recovery Executive Summary This report explores the academic evidence for…
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THIS IS NO LONGER THAT PLACE: A PUBLIC DISCUSSION
Culture+Conflict is an associate partner on 4Cs: from Conflict to Conviviality through Creativity and Culture, a European Cooperation project co-funded…
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Forensic Architecture
Forensic Architecture is a research unit comprising a group of researchers, academics and interdisciplinary practitioners operating from Goldsmiths, University of…
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31 January 2020
Events at MoMA, New York, related to the current ‘Theater of
… Operations’ exhibition, include a performance by Wafaa Bilal on Friday 7 February. This is in response to the recent and ongoing popular uprisings in Iraq that…
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27 January 2020
‘The Voice Before the Law’: three works by Lawrence Abu Hamdan at
… Hamburger Bahnhof, Berlin, until 29 March 2020. These include ‘his whole time there were no landmines’ of 2017 – mobile phone recordings taken in 2011 in…
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24 January 2020
‘Part of the Problem’: 39 installations and films for the 15th
… Berlinale Forum, with themes including migration, racism, state violence, colonialism, fears of the future, and more. The programme includes a group…
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views
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The Art of War in “Theater of Operations”
17 December 2019Can an exhibition about the Gulf wars provide new ways of seeing such dismal subject matter? By Peter Schjeldahl I have rarely…
read more
